Download the full filmography actor William J. ButlerNot Available (8):
The House of Darkness (1913)
Wilful Peggy (1910)
The Last Drop of Water (1911)
The Mothering Heart (1913)
A young couple struggle to get ahead, the wife always assuaging the troubles of her melancholy husband. As he climbs the ladder of success, he abandons the homely values and takes up with another woman. His wife leaves him, returning to her mother's home where she bears a child. When the husband is abandoned by his concubine, remorse drives him to find his wife...
The Miser's Heart (1911)
Kathy, a young child, has befriended the elderly miser who lives on an upper floor of the building where she lives. Today, while playing outside, she also makes friends with Jules, a homeless petty thief. Later, when she is in the miser's apartment, two violent criminals break in. They tie a rope around Kathy and dangle her out of a window, threatening to let her fall to the ground if the miser does not give them the combination to his safe. Outside, Jules sees her in danger, but to help her he must risk dealing with the police.
The Sealed Room (1909)
In this movie suggested by Poe's "A Cask of Amontillado", The king constructs a cozy, windowless love-nest for himself and his concubine. However, she is not faithful to her sovereign, but consorts with the court troubadour. In fact, they use the king's new play chamber for their own lovecraft. When the king discovers this, he sends for his masons. With the faithless duo still inside, the masons use stone and mortar to quietly seal the only door to the vault...
A Dash Through the Clouds (1912)
Arthur and Martha are out walking when they see an aviator and his biplane. When the aviator offers to take them up, Martha excitedly accepts, but Arthur refuses to go along. Martha thoroughly enjoys her ride, but it makes Arthur angry and jealous. But Arthur soon has bigger problems to worry about.
A Corner in Wheat (1909)
A greedy tycoon decides, on a whim, to corner the world market in wheat. This doubles the price of bread, forcing the grain's producers into charity lines and further into poverty. The film continues to contrast the ironic differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit.
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